ALEXA 35 Camera Bundles & Sets
- Super35 ARRI ALEV 4 CMOS Sensor
- Up to 4.6K (4608 x 3164), Cine License
- LPL Mount (LBUS), PL to LPL Adapter
- Production Cage System, BUD-1 Dovetail
- MVF-2 HDR EVF, B-Mount Battery Plate
- Power Distribution Module PDM-1
- MXF/ARRIRAW & MXF/Apple ProRes 4444 XQ
- 1 Power Cable, 2 EVF Cables
- 17 Stops Dynamic Range
- Motorized ND Filters, Compact Design
ALEXA 35 is a Super 35 format (27.99 x 19.22 mm / 1.102 x 0.757″ size 4.6K sensor) digital camera with a maximum frame
rate of 120 fps and internal motorized FSND filters (Clear, ND 0.6, ND 1.2, ND 1.8). It records MXF/ARRIRAW or MXF/Apple
ProRes (422 HQ, 4444 or 4444 XQ) onto one in-camera Codex Compact Drive 1TB or 2TB. The two built-in wireless radios
with separate external antennas allow interference-free transmission of WiFi and ARRI Electronic Control System (ECS)
white radio signals. Exposure is controlled through an electronic rolling shutter (5.0° – 356°).
The ALEXA 35 Production Set is a camera and support system package that has been
designed to suit the workflow of a traditional camera department. This set contains
an ALEXA 35 camera with LPL Mount (LBUS), PL-to-LPL Adapter, MVF-2 viewfinder,
Power Distribution Module PDM-1 and an ALEXA 35 Cine License (ARRIRAW and
Open-Gate-width recording formats).
Both lightweight 15 mm and studio 19 mm rod standards are supported on the
improved CBP-5 bridge plate and shoulder pad. New accessories such as the fullsize
Center Camera Handle CCH-5 and extendable Viewfinder Mounting Bracket VMB-5 offer rock-solid support and rapid reconfiguration possibilities on set.
includes:
K1.0039373 1x ALEXA 35 camera body
10.0043678 1x ALEXA 35 Cine License
K2.0018983 1x ARRI LPL Mount (LBUS)
K2.0016936 1x ARRI PL-to-LPL Adapter
K2.0034180 1x Balance Utility Dovetail BUD-1
K2.0023751 1x B-Mount Battery Adapter
K2.0020916 1x Multi Viewfinder MVF-2
K2.0042857 2x Cable VF Right Angle (0.5m/1.5ft)
K2.75007.0 1x Camera Power Cable Straight 2m/6.6in KC-50
K2.0024101 1x Power Distribution Module PDM-1
KK.0041533 1x Production Support Set – Top
KK.0041534 1x Production Support Set – Side
KK.0041535 1x Production Support Set – Bottom (19mm)
Note: This set does not include recording media, media dock/reader, batteries or
lenses, which should be ordered separately.
ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super35-format camera boasting a new 4:3 4K sensor that delivers 2.5 of additional dynamic range, improved performance in low light and richer, more accurate color reproduction. This Production Set combines the ALEXA 35 camera with a Cine License, both an LPL mount and a PL to LPL adapter, a B-mount battery plate, a PDM-1 Power Distribution Module, a cage-type set with both 19mm studio and 15mm LWS rod supports, a baseplate, and a dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.
The ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports.
Super35 ARRI ALEV 4 CMOS Sensor
Video Recording Formats
Stray Light Suppression
High ISO Camera
REVEAL Color Science
Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.
- A new debayering algorithm combines with the ALEXA 35’s impressive processing power to create cleaner-edged images that are perfect for compositing work.
- The new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.
- The AWG4 camera color space is larger than Rec. 2020 but bypasses “virtual” colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.
- A new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.
- New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.
- The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.
Versatile Lens Choices
Full Feature Set in a Compact Form
Interfaces
- Left display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display “screensaver”, creating a quick visual reminder for any stop compensation needed.
- Connectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5/3/6/12G-SDI outputs with a return option on the second one, timecode in/out, and both 12 and 24V accessory output ports.
- Ethernet: An Ethernet port offers real-time streaming of metadata for use in mixed reality productions (MRP).
- Audio: The ALEXA 35 audio options include two internal microphones like the ALEXA Mini LF, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.
Dedicated Accessories
- Mechanical accessories in this 19mm Production Set include dedicated top, side, and bottom components like an EVF support, a top plate and top handle, a bridge plate adapter, side brackets, and a baseplate and dovetail system.
- Electronic accessories include the Multi Viewfinder MVF-2 and PDM-1 power distribution module that are part of this set and the separately available AEM-1 audio extension module with one AES3/AES42 and two mic/line mini-XLR inputs.
24V B-Mount Battery Power
ARRI Tools and Apps
ARRI ALEXA 35 Specs
Lens Mount | ARRI LPL |
Included Lens Mount Adapter | ARRI PL |
Lens Communication | Yes |
Sensor Type | Super35 CMOS |
Pixel Pitch | 6.075 µm |
Image Stabilization | None |
Built-In ND Filter | Mechanical Filter Wheel with Clear, 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters |
Internal Filter Holder | No |
Capture Type | Video Only |
Shutter Type | Electronic Rolling Shutter |
Shutter Speed | 1/8000 to 1 Second |
ISO Sensitivity | 160 to 6400 |
Shutter Angle | 5 to 356° |
Advertised Dynamic Range | 17 Stops |
White Balance | 2000 to 11,000K |
Raw Recording | ARRIRAW 4608 x 3164 up to 75 fps 4608 x 2592 up to 75 fps 4096 x 2304 up to 120 fps 4096 x 2048 up to 120 fps 3328 x 2790 up to 100 fps 3072 x 3072 up to 100 fps |
Sensor Crop Modes | Super16 2K (2048 x 1152) |
Sensor Crop While Recording | 4.6K (4608 x 2592) in 16:9 4K (4096 x 2048) in 2:1 4K (4096 x 2034) in 16:9 4K (4096 x 1716) in 2.39:1 When Recording in Anamorphic 3.8K (3840 x 2160) in 16:9 3.3K (3328 x 2790) in 6:5 3.8K (3840 x 1920) in 2:1 When Recording in Anamorphic 3K (3072 x 3072) in 1:1 2.7K (2743 x 3086) in 8:9 2K (2048 x 1152) in 16:9 1080p (1920 x 1080) in 16:9 |
Variable Frame Rates | 0.75 Up to 120 fps |
Gamma Curve | ARRI Log C4, Rec 2100 HLG, Rec 2100 PQ, Rec709, Rec2020 |
Built-In Microphone Type | Stereo |
Audio Recording | 4-Channel 24-Bit 48 kHz LPCM Audio |
External Recording Modes | None |
IP Streaming | None |
Media/Memory Card Slot | Single Slot: Codex Compact Drive |
Video I/O | 1 x BNC (12G-SDI) Output 1 x BNC (12G-SDI) Input/Output |
Audio I/O | 1 x LEMO 6-Pin Line Input 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output |
Power I/O | 1 x LEMO 8-Pin (20.5 to 33.6 VDC) Input |
Other I/O | 2 x CoaXPress Viewfinder 1 x LEMO 4-Pin Control Input/Output 1 x LEMO 4-Pin (Serial) Data Input/Output 1 x LEMO 5-Pin (Timecode) Input/Output 1 x LEMO 10-Pin (Ethernet) Control 1 x BNC (Sync) Input/Output 1 x USB Type-C Data Input/Output 1 x Pogo 5-Pin 1 x pogo 18-Pin |
Wireless | Wi-Fi (802.11b/g) Control |
Global Positioning (GPS, GLONASS, etc.) | None |
Size | 4″ |
Resolution | 800 x 400 |
Display Type | Included External LCD |
Secondary Display | Side: LCD Status Display |
Type | Removable Electronic (OLED) |
Resolution | 1920 x 1080 |
Operating Temperature | -4 to 113°F / -20 to 45°C |
Storage Temperature | -22 to 158°F / -30 to 70°C |
Power Consumption | 90 W |
Tripod Mounting Thread | 1/4″-20 Female 3/8″-16 Female |
Dimensions (W x H x D) | 8 x 6 x 5.8″ / 203 x 152.5 x 147 mm |
Weight | 6.4 lb / 2.9 kg |